文艺学
西方美学西方美学
    本文主要论述拉康思想“无意识即他者的话语”的美学内涵。导言部分，综述了拉康思想在国内的译介和研究现状。主体部分分成上下两篇。上篇中，详细论述了“无意识”概念的历史流变及拉康的“他者”概念的建构。在此基础中，推导论证出“无意识即他者话语”这个命题。在推导的过程中，运用到了结构主义、语言学、拓扑心理学及人类学的方法。下篇是对“无意识即他人话语”这一思想的运用。论文对哈姆雷特的行为动机，阿Q的性格结构，创作主体的创作心理，分别作出了新的阐释。 [英文摘要]：     This thesis centers on the aesthetic conception of Lacan’s theory of The Unconscious is the Discourse of the Other. This thesis consists of two major parts: the introduction and the body. The introduction presents the literature review of the translation, research and reception of Lacan’s theory in China. The body of the thesis is divided into two minor parts: the introduction of Lacan’s theory and the application of his theory to the analysis of literary works. The first part offers an exhaustive exposition of the development of the conception of Unconscious and the construction of Lacan’s theory of The Other based on which the theory of The Unconscious is the Discourse of the Other is deduced. In the process of deduction, the approaches of structuralism, linguistics, topological psychology and anthropology are employed. The second part illustrates respectively the application of the theory of The Unconscious is the Discourse of the Other to the Psychological Analysis of Hamlet, the Character Model of Spiritual Triumph of Ah Q and the Subject Experience of Creator.